Winnifred ate the herring, her heart filled with gratitude. With renewed strength she sallied forth on the street to resume her vain search for employment. For two weeks now Winnifred Clair had sought employment even of the humblest character. At various dress-making establishments she had offered, to no purpose, the services of her needle. They had looked at it and refused it.
In vain she had offered to various editors and publishers the use of her pen. They had examined it coldly and refused it.
She had tried fruitlessly to obtain a position of trust. The various banks and trust companies to which she had applied declined her services. In vain she had advertised in the newspapers offering to take sole charge of a little girl. No one would give her one.
Her slender stock of money which she had in her purse on leaving Mr. Bonehead's office was almost consumed.
Each night the unhappy girl returned to her lodging exhausted with disappointment and fatigue.
Yet even in her adversity she was not altogether friendless.
Each evening, on her return home, a soft tap was heard at the door.
"Miss Clair," said the voice of the Landlady, "I have brought you a fried egg. Eat it. You must keep up your strength."
Then one morning a terrible temptation had risen before her.
"Miss Clair," said the manager of an agency to which she had applied, "I am glad to be able at last to make you a definite offer of employment. Are you prepared to go upon the stage?"
The stage!
A flush of shame and indignation swept over the girl. Had it come to this? Little versed in the world as Winnifred was, she knew but too well the horror, the iniquity, the depth of degradation implied in the word.
"Yes," continued the agent, "I have a letter here asking me to recommend a young lady of suitable refinement to play the part of Eliza in Uncle Tom's Cabin. Will you accept?"
"Sir," said Winnifred proudly, "answer me first this question fairly. If I go upon the stage, can I, as Eliza, remain as innocent, as simple as I am now?"
"You can not," said the manager.
"Then, sir," said Winnifred, rising from her chair, "let me say this. Your offer is doubtless intended to be kind. Coming from the class you do, and inspired by the ideas you are, you no doubt mean well. But let a poor girl, friendless and alone, tell you that rather than accept such a degradation she will die."
"Very good," said the manager.
"I go forth," cried Winnifred, "to perish."
"All right," said the manager.
The door closed behind her. Winnifred Clair, once more upon the street, sank down upon the steps of the building in a swoon.
But at this very juncture Providence, which always watches over the innocent and defenceless, was keeping its eye direct upon Winnifred.
At that very moment when our heroine sank fainting upon the doorstep, a handsome equipage, drawn by two superb black steeds, happened to pass along the street.
Its appearance and character proclaimed it at once to be one of those vehicles in which only the superior classes of the exclusive aristocracy are privileged to ride. Its sides were emblazoned with escutcheons, insignia and other paraphernalia. The large gilt coronet that appeared up its panelling, surmounted by a bunch of huckleberries, quartered in a field of potatoes, indicated that its possessor was, at least, of the rank of marquis. A coachman and two grooms rode in front, while two footmen, seated in the boot, or box at the rear, contrived, by the immobility of their attitude and the melancholy of their faces, to inspire the scene with an exclusive and aristocratic grandeur.
The occupants of the equipage—for we refuse to count the menials as being such—were two in number, a lady and gentleman, both of advanced years. Their snow-white hair and benign countenances indicated that they belonged to that rare class of beings to whom rank and wealth are but an incentive to nobler things. A gentle philanthropy played all over their faces, and their eyes sought eagerly in the passing scene of the humble street for new objects of benefaction.
Those acquainted with the countenances of the aristocracy would have recognized at once in the occupants of the equipage the Marquis of Muddlenut and his spouse, the Marchioness.
It was the eye of the Marchioness which first detected the form of Winnifred Clair upon the doorstep.
"Hold! pause! stop!" she cried, in lively agitation.
The horses were at once pulled in, the brakes applied to the wheels, and with the aid of a powerful lever, operated by three of the menials, the carriage was brought to a standstill.
"See! Look!" cried the Marchioness. "She has fainted. Quick, William, your flask. Let us hasten to her aid."
In another moment the noble lady was bending over the prostrate form of Winnifred Clair, and pouring brandy between her lips.
Winnifred opened her eyes. "Where am I?" she asked feebly.
"She speaks!" cried the Marchioness. "Give her another flaskful."
After the second flask the girl sat up.
"Tell me," she cried, clasping her hands, "what has happened? Where am I?"
"With friends!" answered the Marchioness. "But do not essay to speak. Drink this. You must husband your strength. Meantime, let us drive you to your home."
Winnifred was lifted tenderly by the men-servants into the aristocratic equipage. The brake was unset, the lever reversed, and the carriage thrown again into motion.
On the way Winnifred, at the solicitation of the Marchioness, related her story.
"My poor child!" exclaimed the lady, "how you must have suffered. Thank Heaven it is over now. To-morrow we shall call for you and bring you away with us to Muddlenut Chase."
Alas, could she but have known it, before the morrow should dawn, worse dangers still were in store for our heroine. But what these dangers were, we must reserve for another chapter.
CHAPTER IV
A GAMBLING PARTY IN ST. JAMES'S CLOSE
We must now ask our readers to shift the scene—if they don't mind doing this for us—to the apartments of the Earl of Wynchgate in St. James's Close. The hour is nine o'clock in the evening, and the picture before us is one of revelry and dissipation so characteristic of the nobility of England. The atmosphere of the room is thick with blue Havana smoke such as is used by the nobility, while on the green baize table a litter of counters and cards, in which aces, kings, and even two spots are heaped in confusion, proclaim the reckless nature of the play.
Seated about the table are six men, dressed in the height of fashion, each with collar and white necktie and broad white shirt, their faces stamped with all, or nearly all, of the baser passions of mankind.
Lord Wynchgate—for he it was who sat at the head of the table—rose with an oath, and flung his cards upon the table.
All turned and looked at him, with an oath. "Curse it, Dogwood," he exclaimed, with another oath, to the man who sat beside him. "Take the money. I play no more to-night. My luck is out."
"Ha! ha!" laughed Lord Dogwood, with a third oath, "your mind is not on the cards. Who is the latest young beauty, pray, who so absorbs you? I hear a whisper in town of a certain misadventure of yours–"
"Dogwood," said Wynchgate, clenching his fist, "have a care, man, or you shall measure the length of my sword."
Both noblemen faced each other, their hands upon their swords.
"My lords, my lords!" pleaded a distinguished-looking man of more advanced years, who sat at one side of the table, and in whose features the habitués of diplomatic circles would have recognized the handsome lineaments of the Marquis of Frogwater, British Ambassador to Siam, "let us have no quarrelling. Come, Wynchgate, come, Dogwood," he continued, with a mild oath, "put up your swords. It were a shame to waste time in private quarrelling. They may be needed all too soon in Cochin China, or, for the matter of that," he added sadly, "in Cambodia or in Dutch Guinea."