Various - The Atlantic Monthly, Volume 02, No. 10, August, 1858 стр 6.

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Upon the heels of this onslaught others followed rapidly. Rochester, disposed to singularity of opinion, set up Elkanah Settle, a young author of some talent, as a rival to the Laureate. Anonymous bardings lampooned him. Mr. Bayes was a broad target for every shaft, so that the complaint so feelingly uttered in his latter days, that "no man living had ever been so severely libelled" as he, had a wide foundation of fact. Sometimes, it must be owned, the thrusts were the natural result of controversies into which the Laureate indiscreetly precipitated himself; sometimes they came of generous partisanship in behalf of friends, such friends, for example, as Sir Robert Howard, his brother-in-law, an interminable spinner of intolerable verse, who afflicted the world in his day with plays worse than plagues, and poems as worthless as his plays. It was to a quarrel for and a quarrel against this gentleman that we are indebted for the most trenchant satire in the language. Sir Robert had fallen out with Dryden about rhyming tragedies, of which he disapproved; and while it lasted, the contest was waged with prodigious acrimony. Among the partisans of the former was Richard Flecknoe, a Triton among the smaller scribbling fry. Flecknoeblunderingly classed among the Laureates by the compiler of "Cibber's Lives of the Poets"was an Irish priest, who had cast his cassock, or, as he euphuistically expressed it, "laid aside the mechanic part of priesthood," in order to fulfil the loftier mission of literary garreteer in London. He had written poems and plays without number; of the latter, but one, entitled "Love's Dominion," had been brought upon the stage, and was summarily hissed off. Jealousy of Dryden's splendid success brought him to the side of Dryden's opponent, and a pamphlet, printed in 1668, attacked the future Laureate so bitterly, and at points so susceptible, as to make a more than ordinary draft upon the poet's patience, and to leave venom that rankled fourteen years without finding vent.21 About the same time, Thomas Shadwell, who is represented in the satire as likewise an Irishman, brought Sir Robert on the stage in his "Sullen Lovers," in the character of Sir Positive At-all, a caricature replete with absurd self-conceit and impudent dogmatism. Shadwell was of "Norfolcian" family, well-born, well-educated, and fitted for the bar, but drawn away from serious pursuits by the prevalent rage for the drama. The offence of laughing at the poet's brother-in-law Shadwell had aggravated by accepting the capricious patronage of Lord Rochester, by subsequently siding with the Whigs, and by aiding the ambitious designs of Shaftesbury in play and pamphlet,labors the value of which is not to be measured by the contemptuous estimate of the satirist. The first outburst of the retributive storm fell upon the head of Shadwell. The second part of "Absalom and Achitophel," which appeared in the autumn of 1682, contains the portrait of Og, cut in outlines so sharp as to remind us of an unrounded alto-rilievo:

Now stop your noses, readers, all and some,
For here's a tun of midnight work to come,
Og, from a treason-tavern rolling home;
Round as a globe, and liquored every chink,
Goodly and great he sails behind his link.
With all his bulk, there's nothing lost in Og,
For every inch that is not fool is rogue ....

The midwife laid her hand on his thick skull
With this prophetic blessing, Be thou dull!
Drink, swear, and roar, forbear no lewd delight
Fit for thy bulk; do anything but write.
Eat opium, mingle arsenic in thy drink,
Still thou mayst live, avoiding pen and ink.
I see, I see, 'tis counsel given in vain;
For treason botched in rhyme will be thy bane ....

A double noose thou on thy neck dost pull,
For writing treason, and for writing dull

I will not rake the dunghill of thy crimes,
For who would read thy life who reads thy rhymes?
But of King David's foes be this the doom,
May all be like the young man Absalom!
And for my foes, may this their blessing be,
To talk like Doeg, and to write like thee!

Of the multitudinous rejoinders and counterblasts provoked by this thunder, Dryden, it is supposed, ascribed the authorship of one of the keenest to Shadwell. We are to conceive some new and immediate provocation as added to the old grudge, to call for a second attack so soon; for it was only a month later that the "MacFlecknoe" appeared; not in 1689, as Dr. Johnson states, who, mistaking the date, also errs in assuming the cause of Dryden's wrath to have been the transfer of the laurel from his own to the brows of Shadwell. "MacFlecknoe" is by common consent the most perfect and perfectly acrid satire in English literature. The topics selected, the foibles attacked, the ingenious and remorseless ridicule with which they are overwhelmed, the comprehensive vindictiveness which converted every personal characteristic into an instrument for the more refined torment of the unhappy victim, conjoin to constitute a masterpiece of this lower form of poetical composition;poetry it is not. While Flecknoe's pretensions as a dramatist were fairly a subject of derision, Shadwell was eminently popular. He was a pretender to learning, and, entertaining with Dryden strong convictions of the reality of a literary metempsychosis, believed himself the heir of Jonson's genius and erudition. The title of the satire was, therefore, of itself a biting sarcasm. His claims to sonship were transferred from Jonson, then held the first of dramatic writers, to Flecknoe, the last and meanest; and to aggravate the insult, the "Mac" was inserted as an irritating allusion to the alleged Irish origin of both,an allusion, however harmless and senseless now, vastly significant at that era of Irish degradation. Of the immediate effect of this scarification upon Shadwell we have no information; how it ultimately affected his fortunes we shall see presently.

During the closing years of Charles, and through the reign of James, Dryden added to the duties of Court Poet those of political pamphleteer and theological controversialist. The strength of his attachment to the office, his sense of the honor it conferred, and his appreciation of the salary we may infer from the potent influence such considerations exercised upon his conversion to Romanism. In the admirable portrait, too, by Lely, he chose to be represented with the laurel in his hand. After his dethronement, he sought every occasion to deplore the loss of the bays, and of the stipend, which in the increasing infirmity and poverty of his latter days had become important. The fall of James necessarily involved the fall of his Laureate and Historiographer. Lord Dorset, the generous but sadly undiscriminating patron of letters, having become Lord Chamberlain, it was his duty to remove the reluctant Dryden from the two places,a duty not to be postponed, and scarcely to be mitigated, so violent was the public outcry against the renegade bard. The entire Protestant feeling of the nation, then at white heat, was especially ardent against the author of the "Hind and Panther," who, it was said, had treated the Church of England as the persecutors had treated the primitive martyr, dressed her in the skin of a wild beast, and exposed her to the torments of her adversaries. It was not enough to eject him from office,his inability to subscribe the test oaths would have done so much,but he was to be replaced by that one of his political and literary antagonists whom he most sincerely disliked, and who still writhed under his lash. Dorset appears to have executed the disagreeable task with real kindness. He is said to have settled upon the poet, out of his own fortune, an annuity equal to the lost pension,a statement which Dr. Johnson and Macaulay have repeated upon the authority of Prior. What Prior said on the subject may be found in the Dedication of Tonson's noble edition of his works to the second Earl of Dorset:"When, as Lord Chamberlain, he was obliged to take the king's pension from Mr. Dryden, (who had long before put himself out of a possibility of receiving any favor from the court,) my Lord allowed him an equivalent out of his own estate. However displeased with the conduct of his old acquaintance, he relieved his necessities; and while he gave him his assistance in private, in public he extenuated and pitied his error." But there is some reason for thinking this equivalent was only the equivalent of one year's salary, and this assistance casual, not stated; else we are at a loss to understand the continual complaints of utter penury which the poet uttered ever after. Some of these complaints were addressed to his benefactor himself, as in the Dedication to Juvenal and Persius, 1692:"Age has overtaken me, and want, a more insufferable evil, through the change of the times, has wholly disenabled me. Though I must ever acknowledge, to the honor of your Lordship, and the eternal memory of your charity, that, since this revolution, wherein I have patiently suffered the ruin of my small fortune, and the loss of that poor subsistence I had from two kings, whom I served more faithfully than profitably to myself,then your Lordship was pleased, out of no other motive than your own nobleness, without any desert of mine, or the least solicitation from me, to make me a most bountiful present, which, in that time when I was most in want of it, came most seasonably and unexpectedly to my relief." This passage was the sole authority, we suspect, Prior had for a story which was nevertheless sufficiently true to figure in an adulatory dedication; and, indeed, Prior may have used the word "equivalent" loosely, and had Dorset's gift been more than a year's income, Dryden would hardly have called it a "present,"a phrase scarcely applicable to the grant of a pension.22

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