Maid Marian - Thomas Love Peacock

Thomas Love Peacock

Maid Marian

CHAPTER I

The abbot, in his alb arrayed, stood at the altar in the abbey-chapel of Rubygill, with all his plump, sleek, rosy friars, in goodly lines disposed, to solemnise the nuptials of the beautiful Matilda Fitzwater, daughter of the Baron of Arlingford, with the noble Robert Fitz-Ooth, Earl of Locksley and Huntingdon. The abbey of Rubygill stood in a picturesque valley, at a little distance from the western boundary of Sherwood Forest, in a spot which seemed adapted by nature to be the retreat of monastic mortification, being on the banks of a fine trout-stream, and in the midst of woodland coverts, abounding with excellent game. The bride, with her father and attendant maidens, entered the chapel; but the earl had not arrived. The baron was amazed, and the bridemaidens were disconcerted. Matilda feared that some evil had befallen her lover, but felt no diminution of her confidence in his honour and love. Through the open gates of the chapel she looked down the narrow road that wound along the side of the hill; and her ear was the first that heard the distant trampling of horses, and her eye was the first that caught the glitter of snowy plumes, and the light of polished spears. It is strange, thought the baron, that the earl should come in this martial array to his wedding; but he had not long to meditate on the phenomenon, for the foaming steeds swept up to the gate like a whirlwind, and the earl, breathless with speed, and followed by a few of his yeomen, advanced to his smiling bride. It was then no time to ask questions, for the organ was in full peal, and the choristers were in full voice.

The abbot began to intone the ceremony in a style of modulation impressively exalted, his voice issuing most canonically from the roof of his mouth, through the medium of a very musical nose newly tuned for the occasion. But he had not proceeded far enough to exhibit all the variety and compass of this melodious instrument, when a noise was heard at the gate, and a party of armed men entered the chapel. The song of the choristers died away in a shake of demisemiquavers, contrary to all the rules of psalmody. The organ-blower, who was working his musical air-pump with one hand, and with two fingers and a thumb of the other insinuating a peeping-place through the curtain of the organ-gallery, was struck motionless by the double operation of curiosity and fear; while the organist, intent only on his performance, and spreading all his fingers to strike a swell of magnificent chords, felt his harmonic spirit ready to desert his body on being answered by the ghastly rattle of empty keys, and in the consequent agitato furioso of the internal movements of his feelings, was preparing to restore harmony by the segue subito of an appoggiatura con foco with the corner of a book of anthems on the head of his neglectful assistant, when his hand and his attention together were arrested by the scene below. The voice of the abbot subsided into silence through a descending scale of long-drawn melody, like the sound of the ebbing sea to the explorers of a cave. In a few moments all was silence, interrupted only by the iron tread of the armed intruders, as it rang on the marble floor and echoed from the vaulted aisles.

The leader strode up to the altar; and placing himself opposite to the abbot, and between the earl and Matilda, in such a manner that the four together seemed to stand on the four points of a diamond, exclaimed, In the name of King Henry, I forbid the ceremony, and attach Robert Earl of Huntingdon as a traitor! and at the same time he held his drawn sword between the lovers, as if to emblem that royal authority which laid its temporal ban upon their contract. The earl drew his own sword instantly, and struck down the interposing weapon; then clasped his left arm round Matilda, who sprang into his embrace, and held his sword before her with his right hand. His yeomen ranged themselves at his side, and stood with their swords drawn, still and prepared, like men determined to die in his defence. The soldiers, confident in superiority of numbers, paused. The abbot took advantage of the pause to introduce a word of exhortation. My children, said he, if you are going to cut each others throats, I entreat you, in the name of peace and charity, to do it out of the chapel.

Sweet Matilda, said the earl, did you give your love to the Earl of Huntingdon, whose lands touch the Ouse and the Trent, or to Robert Fitz-Ooth, the son of his mother?

Neither to the earl nor his earldom, answered Matilda firmly, but to Robert Fitz-Ooth and his love.

That I well knew, said the earl; and though the ceremony be incomplete, we are not the less married in the eye of my only saint, our Lady, who will yet bring us together. Lord Fitzwater, to your care, for the present, I commit your daughter.Nay, sweet Matilda, part we must for a while; but we will soon meet under brighter skies, and be this the seal of our faith.

He kissed Matildas lips, and consigned her to the baron, who glowered about him with an expression of countenance that showed he was mortally wroth with somebody; but whatever he thought or felt he kept to himself. The earl, with a sign to his followers, made a sudden charge on the soldiers, with the intention of cutting his way through. The soldiers were prepared for such an occurrence, and a desperate skirmish succeeded. Some of the women screamed, but none of them fainted; for fainting was not so much the fashion in those days, when the ladies breakfasted on brawn and ale at sunrise, as in our more refined age of green tea and muffins at noon. Matilda seemed disposed to fly again to her lover, but the baron forced her from the chapel. The earls bowmen at the door sent in among the assailants a volley of arrows, one of which whizzed past the ear of the abbot, who, in mortal fear of being suddenly translated from a ghostly friar into a friarly ghost, began to roll out of the chapel as fast as his bulk and his holy robes would permit, roaring Sacrilege! with all his monks at his heels, who were, like himself, more intent to go at once than to stand upon the order of their going. The abbot, thus pressed from behind, and stumbling over his own drapery before, fell suddenly prostrate in the door-way that connected the chapel with the abbey, and was instantaneously buried under a pyramid of ghostly carcasses, that fell over him and each other, and lay a rolling chaos of animated rotundities, sprawling and bawling in unseemly disarray, and sending forth the names of all the saints in and out of heaven, amidst the clashing of swords, the ringing of bucklers, the clattering of helmets, the twanging of bow-strings, the whizzing of arrows, the screams of women, the shouts of the warriors, and the vociferations of the peasantry, who had been assembled to the intended nuptials, and who, seeing a fair set-to, contrived to pick a quarrel among themselves on the occasion, and proceeded, with staff and cudgel, to crack each others skulls for the good of the king and the earl. One tall friar alone was untouched by the panic of his brethren, and stood steadfastly watching the combat with his arms a-kembo, the colossal emblem of an unarmed neutrality.

At length, through the midst of the internal confusion, the earl, by the help of his good sword, the staunch valour of his men, and the blessing of the Virgin, fought his way to the chapel-gatehis bowmen closed him inhe vaulted into his saddle, clapped spurs to his horse, rallied his men on the first eminence, and exchanged his sword for a bow and arrow, with which he did old execution among the pursuers, who at last thought it most expedient to desist from offensive warfare, and to retreat into the abbey, where, in the kings name, they broached a pipe of the best wine, and attached all the venison in the larder, having first carefully unpacked the tuft of friars, and set the fallen abbot on his legs.