We insist upon this obvious distinction, because, whilst agreeing—to a certain extent—in Mr Carlyle's view of the character of Cromwell, we beg not to be implicated in that esteem and reverence which he professes to entertain for Puritanism, or the Puritans as a body. And this brings us to the extraordinary part of Mr Carlyle's performance—his ardent sympathy, nay his acquiescence with, and adherence to the Puritans, to that point that he adopts their convictions, their feelings, and even some of their most grotesque reasonings. Their violence and ferocity, we were prepared to see Mr Carlyle, in his own sardonic fashion, abet and encourage; his sympathy is always with the party who strikes; but that he should identify himself with their mumming thoughts, their "plentiful reasons," their gloomiest superstitions, was what no one could have anticipated. On this subject we must quote his own words; our own would not be credited; they would seem to any one who had not read his work to be scandalous misrepresentations. The extravagance runs through the whole book, but we have it perhaps more concentrated in the Introduction.
This Introduction, which we sat down to with keen expectations, disappointed us extremely, at least in those parts where any general views are taken. We feel, and have elsewhere ungrudgingly expressed, a certain admiration for the talents of Mr Carlyle. We shall never forget the surprise and pleasure with which we read the "Sartor Resartus," as it one day burst suddenly and accidentally upon us; and no one who has once read his graphic and passionate history of the French Revolution, can ever forget the vivid pictures that were there presented to him. We opened this book, therefore, with a sort of anticipatory relish. But we found very little of his genius, and very much of his extravagance; less of the one and more of the other, than we thought could possibly have been brought together. Metaphors and allusions, already worn thread-bare, are introduced as stock phrases, as if he had inserted them in his dictionary of the English language. All his vices of manner are exaggerated, while the freshness of thought, which half excused them, is departed. These strange metaphors, these glaring colours, which are ready spread out upon his palette, he transfers with hasty profusion to his canvass, till—(as it has been said of Mr Turner's, pictures)—the canvass and the palette-plate very nearly resemble. But were it otherwise, were there all and more than the wit, and humour, and sarcasm, and pungent phrase, and graphic power, which may be found scattered through Mr Carlyle's best performances, there is here a substratum of sheer and violent absurdity, which all these together would fail to disguise or compensate. Certainly there are pages of writing in this Introduction which contain such an amount of extravagant assertion, uttered in such fantastic jargon, as we think could nowhere be paralleled. Dulness could never have attained to any thing so extraordinary; and surely genius never before condescended to such workmanship.
"What and how great," thus commences the book, "are the interests which connect themselves with the hope that England may yet attain to some, practical belief and understanding of its history during the seventeenth century, need not be insisted on at present, such hope being still very distant, very uncertain. We have wandered far away from the ideas which guided us in that century, and indeed which had guided us in all preceding centuries, but of which that century was the ultimate manifestation. We have wandered very far, and must endeavour to return and connect ourselves therewith again! It is with other feelings than those of poor peddling dilettantism, other aims than the writing of successful or unsuccessful publications, that an earnest man occupies himself in those dreary provinces of the dead and buried. The last glimpse of the godlike vanishing from this England; conviction and veracity giving place to hollow cant and formalism—antique 'Reign of God,' which all true men in their several dialects and modes have always striven for, giving place to the modern reign of the No-God, whom men name devil; this, in its multitudinous meanings and results, is a sight to create reflections in the earnest man! One wishes there were a history of English Puritanism, the last of all our heroisms, but sees small prospect of such a thing at present."
Then, beginning to quote himself, as his manner is, changing his voice and adopting another key, as if by this thin disguise to obtain somewhat more license for the wildness and vehemence of his speech—an artifice surely not necessary here—he thus continues:—
"'Few nobler heroisms,' says a well-known writer, long occupied on this subject, 'at bottom, perhaps, no nobler heroism, ever transacted itself on this earth; and it lies as good as lost to us, overwhelmed under such an avalanche of human stupidities as no heroism before ever did. Intrinsically and extrinsically it may be considered inaccessible to these generations. Intrinsically, the spiritual purport of it has become inconceivable, incredible to the modern mind. Extrinsically, the documents and records of it, scattered waste as a shoreless chaos, are not legible. They lie there printed, written, to the extent of tons of square miles, as shot-rubbish; unedited, unsorted, not so much as indexed; full of every conceivable confusion; yielding light to very few; yielding darkness, in several sorts, to very many.' …
"'This, then,' continues our impatient friend, 'is the Elysium we English have provided for our heroes! The Rushworthian Elysium. Dreariest continent of shot-rubbish the eye ever saw. Confusion piled on confusion to your utmost horizon's edge; obscure in lurid twilight as of the shadow of death; trackless, without index, without finger-post, or mark of any human foregoer; where your human footstep, if you are still human, echoes bodeful through the gaunt solitude, peopled only by somnambulant pedants, dilettants, and doleful creatures, by phantasms, errors, inconceivabilities, by nightmares, pasteboard norroys, griffins, wiverns, and chimeras dire! There, all vanquished, overwhelmed under such waste lumber mountains, the wreck and dead ashes of some six unbelieving generations, does the age of Cromwell and his Puritans lie hidden from us. This is what we, for our share, have been able to accomplish towards keeping our heroic ones in memory.'"
After some further diatribe against all preceding historians, collectors, and editors, he drops his ventriloquism, and, resuming a somewhat more natural voice, he proceeds:—
"Nay, in addition to the sad state of our historical books, and what indeed is fundamentally the cause and origin of that, our common spiritual notions, if any notion of ours may still deserve to be called spiritual, are fatal to a right understanding of that seventeenth century. The Christian doctrines, which then dwelt alive in every heart, have now in a manner died out of all hearts—very mournful to behold—and are not the guidance of this world any more. Nay, worse still, the cant of them does yet dwell alive with us, little doubting that it is cant, in which fatal intermediate state the eternal sacredness of this universe itself, of this human life itself, has fallen dark to the most of us, and we think that, too, a cant and a creed."
So!—as our honest German friend would exclaim, puffing from his mouth at the same time a huge volume of symbolic smoke. We have withdrawn it seems, from the path of light ever since the reign of the army and its godly officers established a.d. 1649. We must return and connect ourselves therewith; it is our only salvation; though, indeed, if Puritanism was the manifestation of the ideas of all preceding centuries—if the same current of thought can be traced from William the Conqueror to Oliver the conqueror—a very little ingenuity would suffice to trace the same ideas, the same current of thought, somewhat farther still. But this reign of the puritanical army was really "the last glimpse of the godlike!"—it was "the reign of God!" and we live under the reign of –, psha! Why, he does not even give us a substantial devil, but coins a strange personification of a negative. Such was not the devil, by the way, at the time of "the noblest heroism ever transacted on the earth." Such a definition of the "roaring lion," would, in those days of light and happiness, have procured its author, at the very least, a trip to Barbadoes. Even Cromwell himself would have Barbadoesed him.