The woman of the world is sometimes prosperous in her reign over society, and sometimes otherwise. Even she submits, although usually with sweetness and dignity, to the caprices of fortune. Occasionally, the threads of her management break in such a way, that, with all her dexterity, she is unable to reunite them: occasionally, the strings and feelings are too strong to rend; and occasionally, in rending, the whole system falls to pieces. Her daughter elopes, her son marries the governess, her husband loses his seat in parliament; but there are other daughters to marry, other sons to direct, other honours to win; and so this excellent woman runs her busy and meritorious career. But years come on at last, although she lingers as long as she can in middle life; and, with her usual graceful dignity, she settles down into the reward the world bestows on its veterans, an old age of cards.
Even now, she sometimes turns round her head to look at the things and persons around her, and to exult in the reputation she has earned, and the passive influence her name still exercises over society; but, as a rule, the kings and queens and knaves take the place of human beings with this woman of genius; the deepest arcana of her art are brought into play for the odd trick, and her pride and ambition are abundantly gratified by the circumvention of a half-crown.
The woman of the world at length dies: and what then? Why, then, nothing—nothing but a funeral, a tablet, dust, and oblivion. This is reasonable, for, great as she was, she had to do only with the external forms of life. Her existence was only a material game, and her men and women were only court and common cards; diamonds and hearts were alike to her, their value depending on what was trumps. She saw keenly and far, but not deeper than the superficial net-work of the heart, not higher than the ceiling of the drawing-room. Her enjoyments, therefore, were limited in their range; her nature, though perfect in its kind, was small and narrow; and her occupation, though so interesting to those concerned, was in itself mean and frivolous. This is always her misfortune, the misfortune of this envied woman. She lives in a material world, blind and deaf to the influences that thrill the bosoms of others. No noble thought ever fires her soul, no generous sympathy ever melts her heart. Her share of that current of human nature which has welled forth from its fountain in the earthly paradise is dammed up, and cut off from the general stream that overflows the world. None of those minute and invisible ducts connects it with the common waters which make one feel instinctively, lovingly, yearningly, that he is not alone upon the earth, but a member of the great human family. And so, having played her part, she dies, this woman of the world, leaving no sign to tell that an immortal spirit has passed: nothing above the ground but a tablet, and below, only a handful of rotting bones and crumbling dust.
MARIE DE LA TOUR
The basement front of No. 12 Rue St Antoine, a narrow street in Rouen, leading from the Place de la Pucelle, was opened by Madame de la Tour, in the millinery business, in 1817, and tastefully arranged, so far as scant materials permitted the exercise of decorative genius. She was the widow of a once flourishing courtier maritime (ship-broker), who, in consequence of some unfortunate speculations, had recently died in insolvent circumstances. At about the same time, Clément Derville, her late husband's confidential clerk, a steady, persevering, clever person, took possession of the deceased ship-broker's business premises on the quay, the precious savings of fifteen years of industrious frugality enabling him to install himself in the vacant commercial niche before the considerable connection attached to the well-known establishment was broken up and distributed amongst rival courtiers. Such vicissitudes, frequent in all trading communities, excite but a passing interest; and after the customary commonplaces commiserative of the fallen fortunes of the still youthful widow, and gratulatory good-wishes for the prosperity of the ci-devant clerk, the matter gradually faded from the minds of the sympathisers, save when the rapidly rising fortunes of Derville, in contrast with the daily lowlier ones of Madame de la Tour, suggested some tritely sentimental reflection upon the precariousness and instability of all mundane things. For a time, it was surmised by some of the fair widow's friends, if not by herself, that the considerable services Derville had rendered her were prompted by a warmer feeling than the ostensible one of respect for the relict of his old and liberal employer; and there is no doubt that the gentle, graceful manners, the mild, starlit face of Madame de la Tour, had made a deep impression upon Derville, although the hope or expectation founded thereon vanished with the passing time. Close, money-loving, business-absorbed as he might be, Clément Derville was a man of vehement impulse and extreme susceptibility of female charm—weaknesses over which he had again and again resolved to maintain vigilant control, as else fatal obstacles to his hopes of realising a large competence, if not a handsome fortune. He succeeded in doing so; and as year after year glided away, leaving him richer and richer, Madame de la Tour poorer and poorer, as well as less and less personally attractive, he grew to marvel that the bent form, the clouded eyes, the sorrow-sharpened features of the woman he occasionally met hastening along the streets, could be those by which he had been once so powerfully agitated and impressed.
He did not, however, form any new attachment; was still a bachelor at forty-five; and had for some years almost lost sight of, and forgotten, Madame de la Tour, when a communication from Jeanne Favart, an old servant who had lived with the De la Tours in the days of their prosperity, vividly recalled old and fading memories. She announced that Madame de la Tour had been for many weeks confined to her bed by illness, and was, moreover, in great pecuniary distress.
'Diantre!' exclaimed Derville, a quicker and stronger pulse than usual tinging his sallow cheek as he spoke. 'That is a pity. Who, then, has been minding the business for her?'
'Her daughter Marie, a gentle, pious child, who seldom goes out except to church, and,' added Jeanne, with a keen look in her master's countenance, 'the very image of the Madame de la Tour we knew some twenty years ago.'
'Ha!' M. Derville was evidently disturbed, but not so much so as to forget to ask with some asperity if 'dinner was not ready?'
'In five minutes,' said Jeanne, but still holding the half-opened door in her hand. 'They are very, very badly off, monsieur, those unfortunate De la Tours,' she persisted. 'A huissier this morning seized their furniture and trade-stock for rent, and if the sum is not made up by sunset, they will be utterly ruined.'
M. Clément Derville took several hasty turns about the room, and the audible play of his fingers amongst the Napoleons in his pockets inspired Jeanne with a hope that he was about to draw forth a sufficient number for the relief of the cruel necessities of her former mistress. She was mistaken. Perhaps the touch of his beloved gold stilled for a time the agitation that had momentarily stirred his heart.
'It is a pity,' he murmured; and then briskly drawing out his watch, added sharply: 'But pray let us have dinner. Do you know that it is full seven minutes past the time that it should be served?'