She turned her eyes full upon him, and he stopped.
"Oh, the world!" she said. "The world will consider it a sort of young Lochinvar affair, no doubt. But how much of the young Lochinvar do you think there is about Bertie, Mr. Thorne? You have heard him speak of Emmeline Nash sometimes—not as often nor as freely as he has spoken to me; still, you have heard him. And judging from that, do you believe he is in love with her?"
"Well—no," said Thorne reluctantly. "Hardly that."
"A thousand times no! If by any possibility he had loved her, foolishly, madly, with a passion that blinded him to the cruel wrong he was doing, it would all have been different. I should have blamed him, but in spite of Miss Crawford I should have forgiven him; I should have had hope; he would have been my Bertie still; I should not have despised him. But this is cold and base and horrible: he has simply sold himself for Emmeline's money—sold himself, his smiles and his pretty speeches and his handsome face. And now it is all over."
As Judith spoke Percival understood for the first time what a woman's voice could be. The girl's soul was filled and shaken with passion. She did not cry aloud nor rant, but every accent thrilled through him from head to foot. And it seemed to him that she needed no words—that, had she been speaking in an unknown tongue, the very intonation, the mere sound, the vibration of her voice, would have told him of her wounded heart, her despair, her unavailing sorrow, her bitter shame, so eloquent it was. He did not think all this, but in a passing moment felt it. "I fear it is all too true," he said. "I don't know what to say nor how to help you. Your brother—"
"Don't call him that: he is no brother of mine. Ah yes, God help me, he is my brother; and I think we Lisles bring sorrow to all who are good to us. We have to you, have we not? Don't stay here, Mr. Thorne: don't try to help me. Remember that I am of the same blood as my father, who robbed you—as Bertie, who has been so base."
"And if Judas himself were your brother, what then?" Percival demanded. His voice, in its masculine vigor and fulness, broke forth suddenly, like a strong creature held till then in a leash. "And as for the money, what of that? I am glad it is gone, or I should not have been here to-day."
No, he would not have needed to turn clerk and earn his living. He would not have gone to Brackenhill to confess his poverty. He might never have discovered anything. Most likely he would long since have been Sissy's husband. Sissy seemed far away now. He had loved her—yes. Oh, poor little Sissy, who had clung to him! But what were these new feelings that thronged his heart as he looked at Judith Lisle? He stopped abruptly. What had he said?
Judith too looked at him, and grew suddenly calm and still. "You are very good," she said. "I should have been very lonely to-day if I had not had a friend. It has been a comfort to speak out what I felt, though I'm afraid I've talked foolishly."
"One can't weigh all one's words," said Percival.
"No," she answered; "and I know you will not remember my folly."
"At any rate, I will not forget that you have trusted me. You are tired," he said gently: "you ought to rest. There is nothing to be done to-night."
"Nothing," she answered hopelessly.
"And to-morrow, if there is anything that I can do, you will send for me, will you not?"
She smiled.
"Promise me that," he urged in a tone of authority. "You will?"
"Yes, I promise."
Sometimes, when clouds roll up, black with thunder and rain, to overshadow the heavens and to deluge the earth, between their masses you may catch a momentary gleam of blue, faint and infinitely far away, deep, untroubled, most beautiful. Judith had caught such a glimpse that evening as she bade Percival good-night.
CHAPTER XLVII
CONSEQUENCES
The story of the elopement was in all the local papers, which seemed for once to be printed on Judith Lisle's heart. It was the latest and most exciting topic of conversation in the neighborhood of Standon Square and St. Sylvester's, and was made doubly interesting by the utter collapse of Mr. Clifton's Easter services, which were to have been something very remarkable indeed. Every one recollected the young organist who was so handsome and who played so divinely. People forgot that his father had failed very disgracefully, and only remembered that Bertie had once been in a much better position. There was a sort of general impression that he was an aristocratic young hero who lived in lofty poverty, and was a genius into the bargain. No one was very precise about it, but Beethoven and Mendelssohn and all those people were likely to find themselves eclipsed some fine morning. Emmeline Nash of course became a heroine to match, vaguely sketched as slim, tall and fair. She had stayed on at Miss Crawford's at an age when a girl's education is generally supposed to be finished, and she had not always gone home for the holidays. These facts were of course the germs of a romance. There was a quarrel with her father, who wished her to marry some one. No one knew who the some one might be, but as he was only a shadowy figure in the background, his name was of no importance. Emmeline and her music-master had fallen in love at first sight; and when the moment came for the girl to return home, to be persecuted by her father's threats and by the attentions of the shadowy lover, her heart had failed her and she had consented to fly with the young musician. As Judith had said, it was a young Lochinvar romance—a boy-and-girl attachment. No one seemed to think much the worse of Bertie. Hardly any one called him a fortune-hunter, for Emmeline's money seemed trivial compared with the wealth that he was supposed to have once possessed. And no one thought anything at all of Judith herself or of Miss Crawford.
It would soon be over and forgotten, but Judith suffered acutely while it lasted. Perhaps it was well that she was forced to think about her own prospects, which were none of the brightest.
"Shall you go to Rookleigh?" Percival asked her a couple of days later.
She shook her head: "No: I'm too proud, I suppose, or too miserable: I can't have my failure here talked over. Aunt Lisle's conversation is full of sharp little pin-pricks, which are all very well when they don't go straight into one's heart."
He saw her lip quiver as she turned her face away. "Where will you go, then?" he asked with gentle persistence. It was partly on his own account, for he feared that a blow was in store for him, and he wanted to know the worst.
"I shall not go anywhere. I shall not leave Brenthill."
The blood seemed to rush strongly to his heart: his veins were full of warm life. She would not leave Brenthill!
"I will stay, at any rate, while Miss Crawford remains here. She will not speak to me, she has forbidden me to attempt to see her, but I cannot go away and leave her here alone. I may not be of any use—I do not suppose I shall be—but while she is here I will not go."
"But if she left?"
"Still, I would not leave Brenthill if I could get any work to do. I feel as if I must stay here, if only to show that I have not gone away with Bertie to live on Emmeline's money. Poor Emmeline! And when he used to talk of my not working any more, and he would provide for me, I thought he meant that he would make a fortune with his opera. What a fool I was!"
"It was a folly to be proud of."
He was rewarded with a faint smile, but the delicate curve of the girl's lips relaxed into sadness all too soon.
The table at her side was strewn with sheets of roughly-blotted music, mixed with others daintily neat, which Judith herself had copied. "His opera," she repeated, laying the leaves in order. "Emmeline will be promoted to the office of critic and admirer now, I suppose. But I think the admiration will be too indiscriminate even for Bertie. Poor Emmeline!"