9. This is as yet only discernment that the bard must needs suffer; by-and-by comes also the fulfilment, the recognition of the wisdom of the sorrow, and with it its joyful acceptance in the poem of "The Prophet."
"And out he tore my sinful tongue
. . . . . . . . . .
And ope he cut with sword my breast
And out he took my trembling heart
And a coal with gleaming blaze
Into the opened breast he shoved.
Like a corpse I lay in the desert.
And God's Voice unto me called:
Arise, O prophet, and listen, and guide.
Be thou filled with my will
And going over land and sea
Fire with the word the hearts of men!"
"Be thou filled with my will!" His ideal began with abandonment of self-will; it ended with complete surrender of self-will. When we have done all the thinking and planning and weighing, and pride ourselves upon our wisdom, we are not yet wise. One more step remains to be taken, without which we only may avoid the wrong; with which, however, we shall surely come upon the right. We must still say, Teach us, Thou, to merge our will in Thine....
II. INNER LIFE10. I have already stated that Pushkin is a subjective writer. The great feelers must ever be thus, just as the great reasoners must ever be objective, just as the great lookers can only be objective. For the eye looks only on the outward thing; the reason looks only upon the outward effect, the consequence; but the heart looks not only upon the thing, but upon its reflection upon self,upon its moral relation, in short. Hence the subjectivity of a Tolstoy, a Byron, a Rousseau, a Jean Paul, a Goethe, who does not become objective until he has ceased to be a feeler, and becomes the comprehender, the understander, the seer, the poised Goethe. Marcus Aurelius, Pascal, Amiel, look into their hearts and write; and Carlyle and Ruskin, even though the former use "Thou" instead of "I," travel they never so far, still find their old "I" smiling by their side. But the subjectivity of Pushkin, unlike that of Walt Whitman, is not only not intrusive, but it is even delight-giving,for it paints not the Pushkin that is different from all other men, but the Pushkin that is in fellowship with all other men; he therefore, in reporting himself, voices the very experience of his fellows, who, though feeling it deeply, were yet unable to give it tongue. It is this which makes Pushkin the poet in its original sense,the maker, the sayer, the namer. And herein is his greatness,in expressing not what is his, in so far that it is different from what is other men's, but what is his, because it is other men's likewise. Herein he is what makes him a man of genius. For what does a genius do?
11. What is it that makes the water, when spouting forth in a smooth stream from the hose, such a power? What is it that makes the beauty of the stem and curve of the body of water, as it leaps out of the fountain? It is the same water which a few yards back we can see flowing aimless in stream or pond. Yes, but it is the concentration of the loose elements into harmonious shape, whether for utility, as in the case of the hose-spout, or for beauty, as in the case of the fountain. Nought new is added to the mass existing before. This is precisely the case of genius. He adds nought to what has gone before him. He merely arranges, formulates. A vast unorganized mass of intelligence, of aspiration, of feeling, becomes diffused over mankind. Soon it seeks organization. The poet, the prophet, the seer, cometh, and lo, he becomes the magnet round which all spiritual force of the time groups itself in visible shape, in formulated language.
12. Pushkin, then, is self-centred; but it is the self that is not Pushkin, but man. His mood is others' mood; and in singing of his life, he sings of the life of all men. The demon he sings of in the poem called "My Demon" is not so much his demon alone as also yours, mine, ours. It is his demon because it is all men's demon.
"A certain evil spirit then
Began in secret me to visit.
Grievous were our meetings,
His smile, and his wonderful glance,
His speeches, these so stinging,
Cold poison poured into my soul.
Providence with slander
Inexhaustible he tempted;
Of Beauty as a dream he spake
And inspiration he despised;
Nor love, nor freedom trusted he,
On life with scorn he looked
And nought in all nature
To bless he ever wished."
And this demon"the Spirit of Denial, the Spirit of Doubt"of which he sings afterwards so pathetically tormented him long. He began with "Questionings:"
"Useless gift, accidental gift,
Life, why art thou given me?
Or, why by fate mysterious
To torture art thou doomed?
"Who with hostile power me
Out has called from the nought?
Who my soul with passion thrilled,
Who my spirit with doubt has filled?"
And he continues with "Sleeplessness:"
"I cannot sleep, I have no light;
Darkness 'bout me, and sleep is slow;
The beat monotonous alone
Near me of the clock is heard
Of the Fates the womanish babble,
Of sleeping night the trembling,
Of life the mice-like running-about,
Why disturbing me art thou?
What art thou, O tedious whisper?
The reproaches, or the murmur
Of the day by me misspent?
What from me wilt thou have?
Art thou calling or prophesying?
Thee I wish to understand,
Thy tongue obscure I study now."
13. And this demon gives him no rest, even long after he had found the answer,that the meaning of Life is in Work. Solve the problem of life? Live, and you solve it; and to live means to do. But that work was the solution of the problem of life he indeed discerned but vaguely. It was with him not yet conscious fulfilment. He had not yet formulated to himself the gospel he unconsciously obeyed. Hence the wavering of the "Task:"
"The longed-for moment here is. Ended is my long-yeared task.