I believe that chiming is the proper method of summoning the congregation to the services of the church: and tolling certainly appears to be the most appropriate use of the bell at funerals. But chiming the bells is an art that is not recognised in the older rules respecting their use. For instance, the Fifteenth Canon orders that on Wednesdays and Fridays weekly, warning shall be given to the people that litany will be said, by tolling of a bell. And, on the other hand, though we toll at a funeral, the Sixty-seventh Canon enjoins that
"After the party's death, there shall be rung no more but one short peal, and one other before the burial, and one other after the burial.
The peal here alluded to does not of course mean what Mr. Ellacombe has so clearly described to be a modern peal, in Vol. i., p. 154., of "Notes and Queries;" but it would at least amount, I suppose, to consonantia campanarum, a ringing together of bells, as distinguished from the toll or single stroke on a bell. Horne Tooke says:
"The toll of a bell is its being lifted up (tollere, to raise), which causes that sound we call its toll."
The poet does not clear the ambiguity and confusion of terms, when he sings
"Faintly as tolls the evening chime!"
Peals are not heard in London on Sunday mornings, I believe; but in the country, at least hereabouts, they are commonly rung as the summons to church, ending with a few strokes on one bell; and then a smaller bell than any in the peal (the sanctus bell of old, perhaps, and now sometimes vulgarly called "Tom Tinkler") announces that divine service is about to begin.