MACCARONI AND CANVAS
VIII.
A ROMAN VETTURA
If a man's mind and purse were in such state that he didn't care where he went, and was able to go there; if the weather was fine, and the aforesaid man could eat, drink, and sleep rough, and really loved picturesqueness in all his surroundings for its own sakethat man should travel by vettura. Not one of the vetture advertised by a Roman 'to go to all parts of the world;' not one of those traveling carriages with a seat for milady's maid and milord's man, with courier beside the driver and a vettura dog on top of the baggage, at the very sight of which, beggars spring from the ground as if by magic, and the customhouse officers assume airs of state. No, no, NO! What is meant by a vettura is a broken-down carriage, seats inside for four English or six Italians, a seat outside along with the driver for one American or three Italians, and places to hold on to, for two or three more, Italians. The harness of the horses consists of an originally leather harness, with rope commentaries, string emendations, twine notes, and ragged explanations of the primary work; in plain English, it's an edition of harness with nearly all the original leather expurgated.
Well, you enter into agreement with the compeller of horses, alias vetturino, to go to a certain town a certain distance from Rome. The vehicle he drives is popularly reported to leave regularly for that town; you know that regularly means regularly-uncertainly. You go and see the vetturino, say in that classic spot, the piazza Pollajuólo; you find him, after endless inquiries, in a short jacket, in a wine-shop, smoking a throat-scorcher of a short pipe, and you arrange with him as regards the fare, for he has different prices for different people. Little children and soldiers pay half-price, as you will read on your railroad ticket to Frascati, and priests pay what they please, foreigners all that can be squeezed out of them, and Italians at fixed price.
As for the horses that drag this vettura. Ola! I hope the crows will spare them one day longer. The long-suffering traveler pauses here, reader, wipes the dust from his brow, and exclaims:
'Blessed be bull-fights; for they use up that class of horses which in pious America drag oysters to their graves, and in papal Italy drag the natives to their lairs outside of Rome!'
You will toil along the dusty plainhot, weary, worn-outbut anon you begin the ascent of the mountains; then, as you go up, the air grows purer and cooler. You descend from the vettura, and on foot tramp up the road, perhaps beside the driver, who is innately thankful to you for saving his horses a heavy pull; and with him, or a fellow-traveler, joke off the weary feeling you had in the low grounds. Again you are ascending a still steeper part of the mountain. Now oxen are attached to the old rumbling rattle-trap of a carriage, and it is creak, pull, yell, and cheer, until you find yourself above the cloudsserene and calmaway from dust, heat, turmoil, bustle, in an old locanda, in a shaded room, a flask of cool red wine before you, the south wind rustling the leaves in the lattice, the bell of the old Franciscan convent sending its clear silver notes away over valley and mountain from its sleepy old home under the chestnut trees, the crowing of cocks away down the mountain, the hum of bees in the flower-garden under the windowthe blessed, holy calm of the country!
It is the end aimed at that makes vettura-traveling jolly, for it can well be imagined, as an Englishman justly said of it: 'It is just as good a vehicle to go to the gallows in, as any I've ever been in, I am sure.' But it is equally certain that the quiet joys revealed to the man who travels by italways be it understood, the man who don't care where he goes or when he gets thereare many. These quiet joys consist of exquisite paintings, sketches, scenes, landscapes, or whatever else you choose to call them, wherein shrines, asterias or taverns, locandas or inns; costumes; shadow of grand old trees; the old Roman stone sarcophagus turned into a water-trough, into which falls the fountain, and where the tired horses thrust their dusty muzzles, drawing up water with a rattling noise, while the south wind plays through the trees, and they switch the flies from their flanks with their tails; the old priest, accosted by the three small boys'they are asking his blessing,' said Miss Hicks'they are asking him for a pinch of snuff,' said Caperand when she saw him produce his snuff-box, she acquiesced; the wine-carts instead of swill-carts; the Italian peasants instead of Paddies; agriculture instead of commerce; churches and monasteries in place of cotton-mills; Roman watch-towers instead of factory-chimneys; trees instead of board-yards; vineyards and olive-groves in place of blue-grass and persimmon trees; golden oranges in place of crab-apples and choke-pears; zigarri scelti instead of Cabañasbut this is the reverse of the medal; let us stop before we ruin our first position.
It was warm in Rome. The English had fled. The Romans, pure blood, once more wandered toward sunsetnot after iton the Pincian Hill, and trod with solid step the gravel of Il Pincio Liberato. In the Spanish square around the fountain called Barcaccia, the lemonaders are encamped; a hint of lemon, a supposition of sugar, a certainty of waterwhat more can one expect for a baioccho? From midday until three o'clock in the afternoon, scarcely a place of business, store or shop, is open in Rome. The inhabitants are sleeping, clad as Monsieur Dubufe conceived the original Paradisians should be clad. At sunset, as you turn down the Via Condotti, you see chairs and tables placed outside the Café Greco for its frequenters. The interior rooms are too, too close. Even that penetralia, the 'Omnibus,' can not compare with the unwalled room outside, with its star-gemmed ceiling, and the cool breeze eddying away the segar-smoke; so its usual occupants are all outside.
At one of these tables sat Caper, Rocjean, and their mutual friend, Dexteran animal painterthe three in council, discussing the question: 'Where shall we go this summer?' Rocjean strongly advocated the cause of a little town in the Volscian mountains, called Segni, assuring his friends that two artists of the French Academy had discovered it the summer before.
'And they told me,' he said, 'that they would have lived there until this time if they had had it in their power. Not that the scenery around there was any better, if so good, as at Subiaco, or even Gennezzano; but the wine was very cheap, and the cost of boarding at the locanda was only forty baiocchi a day'
'We will go, we will go!' chimed in Caper.
'There were festivals in some of the neighboring towns nearly every week, and costumes'
'Let us travel there,' said Caper, 'at once!'
'Horses were to be had for a song'
'I am ready to sing,' remarked Dexter.
'There was good shooting; beccafichi, woodcock, and quails, also red-legged partridges'
'Say no more,' spoke Caper, 'but let us secure seats in the next stage that starts for such game scenesimmediately!'
Matters were so well arranged by Rocjean, that three days after the above conversation, the three artists, with passports properly viséed, were waiting, toward sunset, in the Piazza Pollajuólo, for the time not advertised, but spoken of, by the vetturino Francesco as his hour for starting for Segni.