Various - Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 102, June, 1876 стр 7.

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This is the first opportunity the physicians of Europe have had to become fully acquainted with the advances in surgery and pathology their American brethren have the credit of having made within the past few years. They will find it illustrated in the government buildings and elsewhere; and they have an ample quid pro quo to offer from their own researches. The balancing of opinions at the proposed medical congress and in private intercourse must tend to free medical science from what remnants of empiricism still disfigure it, to perfect diagnosis and to trace with precision the operation of all remedial agents. Means remain to be found of administering the coup de grâce to the few epidemics which have not yet been extirpated, but linger in a crippled condition. This will be aided by the illustrations afforded of processes of draining, ventilation, etc.

Man's health rests in that of his stomach. The food question is a concern of the physician as well as of the publicist. The race began life on a vegetable diet, and to that it reverts when compelled by enfeebled digestion or by the increasing difficulty of providing animal food for a dense population. But it likes flesh when able to assimilate it or to procure it, and demands at least the compromise of fish. Hence, the revived attention to fish-breeding, an art wellnigh forgotten since the Reformation emptied the carp-ponds of the monks. Maryland, New York and other States illustrate this device for enhancing the food-supply, and the aquaria at Agricultural Hall, containing twelve or fifteen thousand gallons of salt and fresh water, present a congress of the leaders, gastronomically speaking, of the finny people. The shad remains not only to be naturalized in Europe, but to be reintroduced to the water-side dwellers above tide, who once met him regularly at table. He is joined by delegates from the mountain, the great lakes and the Pacific coast in the trout, the salmon and the whitefish, and by that quiet, silent and slow-going cousin of the fraternity, the oyster, most valuable of all, as possessors of those qualities not unfrequently are. Europe does not dream, and we ourselves do not realize until we come carefully to think of it, what the oyster does for us. He sustains the hardiest part of our coasting marine, paves our best roads, fertilizes our sands, enlivens all our festivities, and supports an army of packers, can-makers, etc., cased in whose panoply of tin he traverses the globe like a mail-clad knight-errant in the cause of commerce and good eating. Yet he needs protection. All this burden is greater than he can bear, and it is growing. System and science are invoked to his rescue ere he go the way of the inland shad and the salmon that became a drug to the Pilgrim Fathers. It is not easy to frame a medal or diploma for the fostering of the oyster. More effective is a consideration of the impending penalty for neglecting to do so. Ostrea edulis is one of the grand things before which prizes sink into nothingness.

Another of them is that triumph of pure reason, chess, an unadulterated product of the brain—i.e., of phosphorus—i.e., of fish. Nobody stakes money on chess or offers a prize to the best player. Honor at that board is its own reward. So when we are told of the Centennial Chess Tournament we recognize at once the fitness of the word borrowed from the chivalric joust. It is the culmination of human strife. The thought, labor and ardor spread over three hundred and fifty acres sums itself in that black and white board the size of your handkerchief. War and statecraft condense themselves into it. Armies and nations move with the chessman. Sally, leaguer, feint, flank-march, triumphant charge are one after another rehearsed. There, too, moves the game of politics in plot and counterplot. It is the climax of the subjective. From those lists the trumpet-blare, the crowd, the glitter, the banners, "the boast of heraldry and pomp of power," melt utterly away. To the world-champions who bend above the little board the big glass houses and all the treasures stared at by admiring thousands are as naught.


SCENE AT ONE OF THE ENTRANCES TO THE GROUNDS—THE TURNSTILE.


But man is an animal, and not by any means of intellect all compact. The average mortal confesses to a craving for the stimulus of great shows, of material purposes, substantial objects of study and palpable prizes. It is so in 1876, as it was in 1776, and as it will be in a long series of Seventy-sixes.

It is the concrete rather than the abstract which draws him in through the turnstiles of the exposition enclosure. Separated by the divisions of those ingeniously-contrived gates into taxed and untaxed spectators, the masses stream in with small thought of the philosophers or the chess-players. Their minds are reached, but reached through the eye, and the first appeal is to that. Each visitor constitutes himself a jury of one to consider and compare what he sees. The hundreds of thousands of verdicts so reached will be published only by word of mouth, if published at all. Their value will be none the less indubitable, though far from being in all cases the same. The proportion of intelligent observers will be greater than on like occasions heretofore. So will, perhaps, be that of solid matter for study, although in some specialties there may be default. He who enters with the design of self-education will find the text-books in most branches abundant, wide open before him and printed in the clearest characters. What shortcomings there may have been in the selection and arrangement of them he will have, if he can, himself to remedy. There stands the school, founded and furnished with great labor. The would-be scholar can only be invited to use it. The centennial that is to turn out scholars ready-made has not yet rolled round.

DOLORES

EMMA LAZARUS.

GLIMPSES OF CONSTANTINOPLE

CONCLUDING PAPER

SCENE IN A BURIAL-GROUND.


There is a continuous fascination about this old city. The guide-book says, "A week or ten days are required to see the sights," but though we make daily expeditions we seem in no danger of exhausting them. Neither does one have to go far to seek amusement. I never look down into the street below my windows without being attracted by some object of interest. The little donkeys with their great panniers of long slim loaves of bread (oh, tell it not, but I once saw the driver use one as a stick to belabor the lazy animal with, and then leave it, with two or three other loaves, at the opposite house, where a pretty Armenian, that I afterward saw taking the air on the roof with her bright-eyed little girl, perhaps had it for her breakfast!); the fierce, lawless Turkish soldiers stalking along, their officers mounted, and looking much better in their baggy trousers and frock-coats on their fine horses than on foot; Greek and Armenian ladies in gay European costumes; veiled Turkish women in their quiet street-dress; close carriages with gorgeously-dressed beauties from the sultan's harem followed by black eunuchs on horseback,—these and similar groups in every variety of costume form a constant stream of strange and picturesque sights.

One morning, attracted by an unusual noise, I looked out and found it proceeded from a funeral procession. First came a man carrying the lid of the coffin; then several Greek priests; after them boys in white robes with lighted candles, followed by choir-boys in similar dresses who chanted as they walked along. Such sounds! Greek chanting is a horrible nasal caterwauling. Get a dozen boys to hold their noses, and then in a high key imitate the gamut performed by several festive cats as they prowl over the housetops on a quiet night, and you have Greek, Armenian or Turkish chanting and singing to perfection. There is not the first conception of music in the souls of these barbarians. Behind this choir came four men carrying the open coffin. The corpse was that of a middle-aged man dressed in black clothes, with a red fez cap on the head and yellow, red and white flowers scattered over the body. The hot sun shone full on the pinched and shriveled features, and the sight was most revolting. Several mourners followed the coffin, the ladies in black clothes, with black lace veils on their heads and their hair much dressed. The Greeks are obliged to carry their dead in this way, uncovered, because concealed arms were at one time conveyed in coffins to their churches, and then used in an uprising against the government. We witnessed a still more dreadful funeral outside the walls. A party, evidently of poor people, were approaching an unenclosed cemetery, and we waited to see the interment. The body, in its usual clothes, was carried on a board covered by a sheet. When they reached the grave the women shrieked, wept and kissed the face of the dead man: then his clothes were taken off, the body wrapped in the sheet and laid in the grave, which was only two feet deep. The priest broke a bottle of wine over the head, the earth was loosely thrown in, and the party went away. There is no more melancholy spot to me than a Turkish cemetery. The graves are squeezed tightly together, and the headstones, generally in a tumble-down state, are shaped like a coffin standing on end, or like a round hitching-post with a fez cap carved on the top. Weeds and rank wild-flowers cover the ground, and over all sway the dark, stiff cypresses.

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