Rafael's companions were listening with as much attention as he; for morbid curiosity is the characteristic of the people of small places, where the keenest pleasure available is that of knowing the private affairs of others intimately.
"And now comes the good part," don Andrés continued. "The mad Doctor had two saints: Castelar and Beethoven. The pictures of those fellows were scattered in every room of the house, even in the attic. This Beethoven (in case you don't know it), was an Italian or an Englishman, I'm not sure which—one of those fellows who makes music up out of his head for people to play in theatres or for lunatics like Moreno to amuse themselves with. Well, when his daughter was born the Doctor wondered what name to give her. As a tribute to Emilio Castelar, his idol, he felt he ought to call her Emilia: but he liked the sound of Leonora better (no, not Lenor, but Leonora!). According to what he told us, that was the title of the only opera Beethoven ever wrote—an opera he could read, for that matter, the way I read the paper. Anyhow, the foreigner won out; and the Doctor packed the child off to church with his sister, who took a few neighbors of the poorer sort along to see Leonora baptized.
"You can imagine what the priest said after he had looked in vain through the catalogue of saints for that name. At the time I was employed in the municipal offices, and I had to intervene. This was all before the Revolution; Gonzalez Brabo was boss in those days—and good old days they were! Let an enemy of law and order or sound religion just raise his voice and he was off on his way to Fernando Pio in no time. Well, what a racket the Doctor raised! He sat himself down in that church—first time he'd ever been in the place—and insisted that his daughter be labeled as he directed. Later he thought he would take her home without any baptism at all, saying he had no use for the ceremony anyhow, and that he put up with it only to please his sister. During the argument, he called all the curates and acolytes assembled in the sacristy there, a pack of 'brahmans.'"
"He must have said Brahmins," interrupted Rafael.
"Yes, that's it: and Bonzes, too—just joking, of course—I remember very well. But finally he compromised and let her be baptized with the orthodox name of 'Leonor.' Not that he cared what they called her in the church. As he went out he said to the priest: "She will be 'Leonora' for reasons that please her father, and which you wouldn't understand even if I were to explain them to you." What a hubbub followed! Don Ramón and I had to interfere to calm the good curates; they were for sending him up for sacrilege, insult to religion, what not! We had to go some to quiet things down. In those days, boy, a matter of that sort was more serious than killing a man."
"Which name did she keep?" asked a friend of Rafael.
"Leonora, as her father wished. That girl always took after the old man. Just as queer as he was. The Doctor all over again! I haven't seen her yet. They say she's a stunning beauty, like her mother, who was a blonde, and the handsomest girl in all these parts. When the Doctor had dressed his wife up like a lady, she wasn't much for manners, but she certainly was something to look at...."
"And what became of Moreno?" asked another. "Is it true, as they said years ago, that he shot himself?"
"Oh, some say one thing, some another. Perhaps it's all a lie. Who knows! It all happened so far away.... After the Republic fell, it was the turn of decent people again. Poor Moreno took it all harder than he did the death of his Teresa, and kept himself locked up in his house day in, day out. Your father was stronger than before and we ran things in a way that was a sight for sore eyes! Don Antonio up in Madrid gave orders to the Governors to give us a free hand in cleaning up everything that was left of the Revolution. The people who before had been cheering for the Doctor all the time, now kept away from him for fear we should catch them. Some afternoons he would go for a walk in the suburbs, or a stroll over to his sister's orchard, near the river—always with Leonora at his side. She was now about eleven years old. All his affection was centered on her. Poor Doctor! How things had changed from the days when his mobs would meet the troops shot for shot in the streets of Alcira, shouting vivas for the Federal Republic!… In his solitude and in all the dejection coming from the defeat of his perverted ideas, he took more than ever to music. He had but one joy left him. Leonora loved music as much as he. She learned her lessons rapidly; and soon could accompany her father's violoncello on the piano. They would spend the days playing together, going through the whole pile of music sheets they kept stored in the attic along with those accursed medical books. Besides, the little girl showed she had a voice, and it seemed to grow fuller and more beautiful every day. 'She will be a singer, a great singer,' her father proclaimed enthusiastically. And when some tenant of his or one of his dependents came into the house and could hardly believe his ears at the sweetness of the little angel's voice, the Doctor would rub his hands and gleefully exclaim: 'What do you think of the little lady, eh?… Some day people in Alcira will be proud she was born here.'"
Don Andrés paused to sift his recollections, and after a long silence added:
"The truth is, I can't tell you any more. At that time, we were in power again, and I had very little to do with the Doctor. We gradually lost sight of him, forgot him, practically. The music we heard when going by the house was all there was to remind us of him. We learned one day, through his sister, doña Pepa, that he had gone way off with the little girl somewhere—what was that city you visited, Rafael?—Milan, yes, Milan, that's it! I've been told that's the market for singers. He wanted his Leonora to become a prima donna. He never came back, poor fellow!… Things must have gone badly with them. Every year he would write home to his sister to sell another piece of land. It is known that over there they lived in real poverty. In a few years the little fortune the Doctor got from his parents was gone. Poor doña Pepa, kind old soul, even disposed of the house—which belonged half to the Doctor and half to her—sent him every cent of the money, and moved to the orchard. Ever since then she's been coming in to mass and to Forty Hours in all sorts of weather. I could learn nothing for certain after that. People lie so, you see. Some say poor Moreno shot himself because his daughter left him when she got placed on the stage; others say that he died like a dog in a poorhouse. The only sure thing is that he died and that his daughter went on having a great time all over those countries over there. The way she went it! They even say she had a king or two. As for money! Say, boys, there are ways and ways of earning it, and ways and ways of spending it! The fellow who knows all about that side of her is the barber Cupido. He imagines he's an artist, because he plays the guitar; and besides he has a Republican grouch, and was a great admirer of her father's. He's the only one in town who followed all she was up to, in the papers. They say she doesn't sing under her own name, but uses some prettier sounding one—foreign, I believe. Cupido is a regular busybody and you can get all the latest news in his barbershop. Only yesterday he went to doña Pepa's farmhouse to greet the 'eminent artist,' as he calls her. There's no end to what he tells. Trunks in every corner, enough to pack a house-full of things into, and silk dresses … shopfuls of them! Hats, I can't say how many; jewelry-boxes on every table with diamonds that strike you blind. And she told Cupido to have the station-agent get a move on and send what was still missing—the heavier luggage—boxes and boxes that come from way off somewhere—the other end of the world, and that cost a fortune just to ship.... There you are!… And why not? The way she earned it!"